As we all know
10:22, 2009-Aug-9
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As we all know, the selection of the art of calligraphy with the emergence of text inseparable. There is no text, the art of calligraphy has become like trees, water source, of course, would not be able to produce the art of calligraphy. With the text, however, does not mean that with the art of calligraphy. Greece, Egypt, Prapiroon, India and other countries is the case. The emergence of the Chinese art of calligraphy has its own unique historical conditions, the unique tools and unique soils. Generated from the text to calligraphy as an art and independent existence of the middle I do not know how many generations of hard exploration chanel 2.55 and hard work. Structural regularity of Chinese characters in ancient China the so-called Six ie shape, mean, and knowing, under the guise of, to note, Pictophonetic theory. This theory is the formation of the Oracle and the wider use of the word before summed up. Six in the shape like a painting, from the generality of the object of great realistic simulation. At the same time, closer to the reality of things is a hieroglyph of the many strokes and the physical structure and, therefore, contains the basic elements of formal beauty.
The discovery of the Shang Dynasty Oracle calligraphy have also provided historical evidence. Oracle itself has had the Chinese calligraphy of the three basic elements a pen, end of words and art. Its physical structure and the characters for generations the future development of Chinese calligraphy and basic principles. Although Oracle intricate changes, large and small, but every word has a balanced, symmetrical and stable pattern. Shaped structure of its own on the factors that gave birth to the United States, that is, the so-called natural beauty or Tiancheng Li Qiu , for our art form of calligraphy has laid a foundation.
At the same time should also be pointed out that since the creation of ancient Chinese text of the form in line with the laws of the United States, so the writing of this text can be developed for the art of calligraphy and became an independent nation with distinct characteristics, representing the essence of the great national art art.
Purification of the Chinese art of calligraphy in its US-inspired lines of people39s souls, to cultivate the aesthetic charm of the people, Wu Jing Octupole heart Maninsan Tour , to guide people to the dense, elegant, open, deep in to the realm.
Shang Dynasty Oracle,text created a precedent of Chinese calligraphy. The text of the Zhou Dynastyalso greatly improved the production, and longer inscriptions. In addition to text, there are stone. Stone are the most valuable when pushing , it isfromto a transition between the text.
People have to ask Who is the character created by it? Ancient books, such as Hanfeizi valens five articles , Lu Shi Chun Qiu Shou-jun articles , Huainanzi this through training, said Cangjie for books , many scholars do not agree with this statement. In fact, any book in the actual body masses were created by the use of, rather than a person39s credit. Lu Xun in outside the text to talk about that goes But in society, also more than one Cangjie, some carved in the handle on that round, and some in the gateway to a number of paintings on the paintings, to be affiliated, word of mouth, text on the grown, historiographer of a collection, will be a perfunctory note. The origin of Chinese characters, I am afraid that this example also escape. This means that the text of the multi-and sleep is not a person Cangjie created. Guo and others said they also have this. Cangjie study researched text, there are finishing the work, when should not be obliterated. Since then, the history of Zhou made, Simade, forLishu, for the history of travel in haste , Wang Chung-made script meeting, the situation is probably the case.
Qin unified text, the so-called book with the text not only refers to a unifiedfor, but also a unified Lishu. With the text of the book a great impact on future generations, the end of the speech sound different, special characters of the state. Zhou dynasty text variety strokes, said, or Zhou zhu text. Qinsimplify the creation ofand finishing Lishu. Simplification and improvement of the text is conducive to the art of calligraphy, as well as enhancing. Qin, Lishu, basically the history of Chinese calligraphy is the initial stage.
QIN Shu-eight, namely,engraved Fu, insect books, printed copy, the Department of the book, Shu Shu, Li Shu, body crude is all prepared, the public scene color, text and gradually brought closer to perfection. Book from the body of the evolution of Chinese characters, the Qin chanel purse Dynasty generation is extremely important.
Qin Han contractors, and its development. To Lishu for the main Han, together with the script, the beginning of a generation of Chinese calligraphy and art development. Applied as a result of becoming more frequent, the stone is rife Jigong, board book written and well-known persons on the public. To the Han Dynasty, the calligraphy art began as an independent existence. Han, a common practice to appreciate calligraphy. Xiao premier places for a title of March refinement deliberately, once wrote, and the audience, such as water, unprecedented. From the practical to the aesthetic, which is the art of calligraphy in the history of a great leap forward. Generation Han Chinese calligraphy is the art of the times Faren.
Book to the Han Dynasty, many body changes from a total of seven the tadpole book,, Qin Li, eight,, shall know., the Kai True Book has been its infancy.
It is noteworthy that Lishu sprout in ancient times, used on the Qin Dynasty, the Han Dynasty when the stereotypes. Lishu text of chanel coco Jurists to the process of stereotypes as scribe change. Scribe changed the history of Chinese calligraphy is the great epoch-making change. Huan of the Eastern Han, Li Shu-ling when stereotypes become Fadu guarded official body of the standard book. Scribe from the Qin Dynasty to the development history of Chinese calligraphyis a very important period of change. Origins in the history of calligraphy, it39s for the rules of the previous generationnext Kai Wei and Jin, Sui and Tang dynasties really the style of the book. At the same chanel time also created a cursive one first tour for the history of, Zhang followed for this grass. People in the writing process, in order to easily save, a simple sum of the provincial and even trends. Province and even the simple pen Lishu,is the origin of this grass also provides a reference. In addition, there are Wadang text, printed text Yuxi. Future governance of both Indian and India-han school books, and more starting from.
Chun Li from the transformation process tocan see the art of calligraphy in the inheritance and development of the dialectical relationship. Hing ofin the history of Chinese calligraphy has the potential to become, and has comparableQin!
When the Eastern Jin Dynasty calligraphy to enter an unprecedented era of prosperity. From the development of Chinese calligraphy, the Wei and Jin is the completion of the evolution of Chinese characters written body of an important stage of connecting. Cursive script, and has matured to the Wei and Jin Dynasties. Jin Dynasty, the true, the line, with grass three-body, is following the Han dynasty Chinese calligraphy history, Li change after a huge change. Chung forced labor, Wang is a distinguished representative of the World referred to as the Chung King for future generations by patriarchal. Wang Chung in the history of Chinese calligraphy has opened up a new era. Wang in particular, it is a combination of different opinions of the book since the Qin and Han dynasties, and well-deserved, Shu-Sheng.
Sui39s script has become stereotyped. Following the Six Dynasties, Tang following wind. By the Tang Dynasty calligraphy, not only from the early preparation of body, but careful and precise Fadu. For example, the script has been largely in the Wei and Jin stereotypes, and to achieve a very high level, to the Tang Dynasty is very ripe. Early 4, the Bank hereinafter referred to as risk WHO South, Europe Yang consultation, Chu , Xue millet, is representative. And Wang Yan Zhenqing is following after another master of the history of Chinese calligraphy, he has created a generation of gang Tang Jianxiong strong style. Yan script, there are characteristics and personality, there is Tang weather. AndNorth Sea, Zhang Xu, Huai Su Cursive or in the grass that is, there is an important breakthrough, so that a Chinese calligraphy unprecedented prosperity.
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